Category Archives: Bars, pubs etc

Revelation Cat beers at Brasserie 4:20, Rome

Brasserie 4:20 Rome, the bar

Brasserie 4:20 is not in a prepossessing location. Sure it’s located not far from Porta Portese, a 17th century gate in Rome’s 3rd century Aurelian Wall. And sure the actual street, Via Potuense, is historical, constructed in the 1st century AD to connect the city to Portus at the mouth of the Tiber. And sure the section where Brasserie 4:20 is located comes alive on Sundays for the Porta Portese market, a kilometre-plus of stalls selling tat clothes, cheap electricals and bric-a-brac. It’s even the place to go in Rome to buy bikes or scooters of occasionally dubious provenance. (Porta Portese is one of the locations of Antonio’s desperate search in Vittorio De Sica’s unbearably heartwrenching neorealist classic Bicycle Thieves [Ladri di biciclette, 1948]: go to 9:52 here.)

But, frankly, this stretch of Via Portuense is a scruffy rat-run.

At rush hour, it’s an untrammelled racetrack for Rome’s horrendous car population, and not a great place to tackle on foot – there are no pavements, just potholed gutters. One side of the road is given over to semi-derelict buildings, wasteland and one restaurant overlooking the Tiber. The other side, where 4:20 is located, consists of a large, graffitied wall punctuated with arches. Even when 4:20 is open, it doesn’t exactly look inviting – a dark entrance in the wall, a few smokers outside.

So I’ve walked past dozens of times, without even quite making it inside. Shame on me really, as it’s a) not that far from where I live and b) one of Rome’s most significant birrerie (beer bars).

We resolved to finally visit on Saturday, meeting several Italian friends, many of them counfounding stereotypes by enjoying good beer as much as wine.

Fortunately, at 5.45pm on a Saturday the stretch of Via Portuense was quiet, Brasserie 4:20 safe to approach on foot. The bar was quiet too as although the sun is well and truly over the yardarm as far as we (and other Brits) are concerned, 6-ish is a freaky time to have a drink for Italians, as one of our friends commented straight away on their arrival. Still, at least it meant we had our choice of seating.

Some of the beers available at Brasserie 4:20 Rome

Downstairs is an atmospherically gloomy cavern of bare brick walls, a long bar featuring a barricade of taps, and seating that includes a couple of inviting (though tight) horseshoe-shaped booths. We settled into one of these, not realising there was also an upstairs terrace, with awnings. This was handy as we’d just had a massive thunderstorm, which had given way to blazing sunshine. After ordering our first beers, we relocated upstairs to enjoy the space and partake of an aperitivo buffet. It was basic – some couscous, some pasta salad, bread, a few dips – but included in the price of the drinks at that time of the evening.

As for the drinks, 4:20 only has beer, whiskey and water. Downstairs, there are apparently 47 taps, including 12 hand pumps, though I didn’t count them. Upstairs, there’s a more limited selection, with six taps, but hey, it’s hardly a long schlep back, down some stairs and past a mound of containers of fry oil. Yes, there’s also food. In this case, that means burgers (mostly), the smell of which was filling the air on the terrace. They use beer a lot in the preparation of the food, though we didn’t sample anything beyond the buffet.

Some more of the beers available at Brasserie 4:20 Rome

Beer-wise, there are menus on blackboards on the wall. We weren’t offered an actual menu, though they may exist, especially as they have a selection of bottled beers. These are the only refrigerated beers, as the tap beers are kept in a cellar and served at ambient temperature – important for the “organoleptic quality” according to their site. What this means is that the precise qualities of a bar are better experienced – by smell, taste etc – at ambient temperature. (Ice cold beer is of course nice on a hot day but that’s another argument.)

The beer comes from a variety of craft breweries, some Italian, but also a lot of Belgian, British etc. Among the Italian breweries, a major presence here is Revelation Cat (English site) – a Rome-based outfit whose products are distributed by Impex, which owns 4:20 as far as I can tell. So Revelation Cat is effectively the house brewery.

When we visited, there were 13 Revelation Cat beers available. Fran chose their Little Lover, a 4.5% ABV stout so chocolaty it could almost have been mistaken for a milkshake in a blind tasting. Okay, not really, but it was very pleasant, in a sweet, mild, creamy kind of way.

I’m still on a quest to find a perfect golden summer ale, so I was torn between Salada from Lariano brewery, in Lombardy – a golden ale al sale, “with salt” – and Magical Mystery Gold from Free Lions, a brewery I talked about over here. I got the latter as it was from a little closer to home, Tuscania, northwest of Rome. I’ve still not found my ultimate golden ale, but Magical Mystery Gold wasn’t bad. I seem to be drinking a lot of citrussy beers at the moment, and this was no exception with an aroma of grapefruit. Taste-wise, it was strongly hopped, dry and crisp.

Brasserie 4:20 Rome, the roof terrace, July 2013

We managed to get in a couple more after this, from the small selection on the terrace. These were California Moonset and Take My Adweisse. We had to order the latter on the strength of the terrible pun alone. Both are from Revelation Cat. These were served in jars. This seems like a strange affectation; I’d rather drink from something that doesn’t have a thread on the lip. The beers were both interesting though.

Take My Adweisse is a 4.5% hoppy American wheat ale. It’s not terribly bitter, but instead is crisp, fairly floral (elder, etc), and refreshing. California Moonset, on the other hand, was fairly odd. It’s nominally a 7% IPA, but I found it pretty challenging, with a pungent odour of, well…. rot? Cat pee? I’d need to drink it again to really nail the description, but I found the smell almost off-putting. Taste-wise it was pretty hoppy, with some serious clashing flavours – resin, citrus, malt. I’m not sure whether it was interesting or unrefined.

Take My Adweisse (left) and California Moonset (right) from Revelation Cat. In jars.

Anyway, after all that we had to go – as we had a birthday to attend at Open Baladin, perhaps Rome’s best known beer bar. This experience of two key beer Roman birrerie in one day was telling. Although we had a good time at 4:20, and I’ll definitely go again, I found our welcome a bit unfriendly there, with three staff just giving us a cool stare when we first arrived. Baladin, on the other hand, I’ve always found more friendly, and the staff ready with advice.

Also, I had my most interesting beer of the evening at Baladin. I asked a friend who works there what she thought was their best beer at the moment, and she recommended a Wallonie saison beer, from Extraomnes, another Lombardy brewery. I’m increasingly getting into saisons as they seem to be challenging without the confusion of a beer like California Moonset. This 6.7% beer was golden-orange in colour, with a serious head and an inviting perfume of herbs and spice. Flavour-wise it balanced a slight peppery piquancy with notable, but not overly bitter, hoppiness and a broad fruitiness, tending finally to crisp and dry. In my notes I wrote “fermenting fruit, bubblegum”. Hm.

All in all, a great evening of socialising and beer sampling. And I’m definitely keen to get back to 4:20, see if I can warm them up a bit asking for recommendations, as it’s certainly a serious beer joint, for fans of real beer.

Infodump:
Brasserie 4:20, Via Portuense 82, 00153 Rome
Impexbeer.com 4:20 site (English)
Open Mon-Sat from 5pm, Sun from 7pm.

Revelation Cat brewery

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Specchia White Night amber ale at Tree Bar

Last night, we had tickets to go and see Neneh Cherry and Fat Freddy’s Drop at the Cavea of the Auditorium Parco della Musica, in the Flaminio district of Rome. This is the area to the north of Piazza del Popolo,  the popular spot for tourists, shoppers and manifestazioni at the top of Via Del Corso, central Rome’s main consumer strip and sometime location of yacht races *.

We’d never been far into Flaminio, so were keen to check out a spot called the Tree Bar, and the Auditorium itself. The Auditorium was designed by Renzo Piano, who has more recently radically altered London’s skyline with the Shard, and was inaugurated in 2002. The complex consists of three beetle-roofed concert halls with the Cavea in between – a fourth, open air auditorium. This is where we were headed. But first, a beer.

The central Roman section of Via Flaminia (one of the city’s ancient routes, heading north) is canonically long and straight, and plied by trams. It’s lined with handsome mid-20th century apartment blocks and collection of tired looking markets, workshops and older, more historical buildings, along with a couple of stretches of open park. Tree Bar, a former kiosk, nestles in one of these.

Inside, it has has light, Scandinavian style wood fittings, outside there’s a terrace area that spills into the park. Some kids’ football kept escaping from their game – inside a dry fountain – and flying past us while we drank.

With its emphasis on aperitivo drinking, Tree Bar has a long menu of sparkling wines and cocktails, but thankfully there were also a few craft beers tucked in there too, with three bottled beers in a section marked “Birre Artigianale”. I didn’t know any of them, so asked the waiter what one, from a brewery in called B94 in Lecce, Puglia, was. He said it was a birra artigianale. Yes, but what type, I persisted, and he managed to come up with the fact that it was an amber ale. Okay, fine, that’s enough for me. He also said it was enough for two (a 75ml bottle), but Fran wanted a cocktail.

B94 Specchia White Night, plus snacks, Tree Bar, Rome

When it arrived, a black bottle with a slightly muddle label design and the apparent name “Specchia White Night”, I told him not to worry, it’s not too much for one person – as I’m British. Nothing like reinforcing stereotypes.

Anyway, he poured and inch of so, and there wasn’t much head, and the liquid was a murky amber-brown. I poured more, a bit more vigorously, and got a better head. Head, or schiuma, is very important in the appreciation of Italian craft beers – all the descriptions mention it. My Guida alle Birre d’Italia 2013 says it’s a beer with colore ambra intenso con schiuma di buona persistenza. Which I’d have to disagree with – the head wasn’t very persistent.

I didn’t get much in the way of strong scents coming off it, bar malt and some melon, or apple. Which made a nice contrast to the more citrusy beers I’ve been drinking a lot lately. Taste-wise, the maltiness (from both malted barley and wheat) was combined with a fairly strong bitter hoppiness and yeastiness, along with some spice (cloves), caramel and even a soapiness. It was a reasonably drinkable beer, with a medium body, low-middling carbonisation and 6% strength, though perhaps slightly heavy for my tastes for a warm summer evening. Plus, well, another aspect of my Britishness – the name and label brought disconcerting flashes of White Lightning, a trashy cider from the early 1990s. An unfortunate association.

B94 Specchia White Night's label, at Tree Bar, Rome

Still, it’s always good to try something new, from a brewery I’d not heard of before. Apparently B94 was founded in 1994 by Raffaele Longo to make beers for his friend. It’s that step from home-brewing to commerce that’s the familiar narrative for many micro-breweries.

Having quickly consumed Tree Bar’s stuzzichini (a plate of appetizers/snacks often served at aperitivo time), we had a pizza too. The food wasn’t bad – the stuzzicini included some pieces of particularly nice frittata and they seem to use some wholegrain flours in their doughs. Thus fuelled, we dashed on up the road to get to the venue.

Neneh Cherry had, disappointingly, bailed (with no reason or excuse forthcoming online), and the support act were pretty noodly, but the Cavea is a great location, the overcast weather didn’t give way to rain, and Fat Freddy’s Drop – New Zeeland’s finest reggae-dub-soul-rave combo – were energetic and entertaining, taking us through their new album, Black Bird, and including a few old favourites. Though they didn’t do an encore. What’s up guys? Grumpy? Tired from the world tour?

Fat Freddy's Drop, Auditorium Parco della Musica, Rome, 3 July 2013

Infodump
Via Flaminia 226, 00196 Roma
treebar.it

* “In December 1878 [the Tiber’s] floodwaters in the Via del Corso were so deep that a sailing race was held held there…” (p114, Whispering City, RJB Bosworth)

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A quick tour of Nomentana neighbourhood and New Morning beer at Kombeer bar

New Morning

My friend Giammarco, teacher, novelist, ghost writer for academics (!), doesn’t much like beer, certainly not proper beer. He’s the sort of guy who’s satisfied with the axis of industrial yuck that is Peroni/Morretti/Menabrea. So I was quite surprised when we met up for drink in Nomentana, a neighbourhood northeast of Termini station and just outside the Aurelian Walls, and he suggested a nearby birreria (beer bar). A new birreria? Come no!

It proved to be an interesting stroll. I already knew the main drags through Nomentana but had never really explored the backstreets. We didn’t exactly explore, but just strolled through. Giammarco dove into a second-hand bookshop where he got a pristine novel for a mere Euro (a book like that would sell for about £5, €6, in the UK). It’s a shame I can’t really read idiomatic Italian… what bargains. We strolled on, past the old Peroni factory, built in 1908-1922. Production stopped there in 1971.

IMAG0032

Apparently the building is being converted into a giant birreria. According to Giammarco. Though it being Roma, even if that is on the cards, it may take 10 years and several changes of local government for it to actually fall into place. Indeed, this site (in Italian) says it was going to be converted into a centre for arts documentation and a cinema, so who knows what’ll happen to the redevelopment plan. Like Battersea Power Station, some developer will probably just get his way to turn it into expensive apartments in the end.

We then passed by the Mercato Nomentano di Piazza Alessandria, a very handsome building with grandly arched entrances and looming pediments. The market was built in 1926 in what Giammarco called a “Liberty” style – that is art nouveau – and inaugurated in 1929. I’m no architectural historian, but it looks more art deco to me, or at least from a kind of transitional style. Check out this old pic from 1940.

PIAZZA_ALESSANDRIA_1940

After a worrying moment where it looked like Giammaroc couldn’t remember the location of the birreria we were looking for, Kombeer, we finally found it…. Closed. It was 5.45pm. This always bemuses me as a Brit because our drinking culture is so much about leaving work and going straight to the pub. Go to any British city and if you’re in an area dense with offices, come 5.30pm, the pubs will like as not be chockablock with people loosening their ties (poor bastards) and forgoing any proper solid food.

We malingered a bit while the Kombeer staff swept up and laid out seating in their little patio area among the parked cars. Before too long we were seated and the waitress came to discuss the beers. Which is all very nice in a hands-on kind of way, but not great is you speak bad (or no) Italian. And not ideal if you’re not acquainted with Italian birre artigianale – which dominate the options here, though there we also some international craft beers, both bottled and alla spina (on tap).

Although I speak some Italian and know some of the breweries and beers, I really didn’t follow… my brain doesn’t work so well when it comes to, like, remembering stuff, so in the absence of a menu I went to the bar to check out the taps. There are about eight, with the sort of temporarily attached labels that indicate regular rotation of new beers. The waitress let me try a few beers, which is always a good sign, and I chose a New Morning (English site) as I remember enjoying it elsewhere many months ago.

New Morning (or Nuova Mattina, depending on which batch you get) is a saison-style beer from Birrificio del Ducato, northwest of Parma in the Emilia Romagna region of northern Italy. This award-winning brewery was founded in 2007 by Giovanni Campari. Their own site calls this food science and technology graduate and former home brewer a “radical and visionary Brewmaster” and certainly the beers of theirs I’ve tried ­– Verdi Imperial Stout, Sally Brown ­– have been tasty and interesting, so fair dues.

new-morning

Anyway, I wasn’t familiar with saison beers before coming to Rome – heck, I’m the first to say I’m an enthusiast not an expert. But from the saisons I have tried, it’s a pretty diverse style (genre?) of beer, though it’s generally defined by fruity flavours, with varying degrees of spiciness and hoppiness and minimal maltiness.

New Morning itself was, at first taste, fairly hoppy, but when a full glass arrived, replete with substantial but quickly subsiding head, the complexity of flavour quickly amended this sensation, with definite spiciness and floral notes. This is unsurprisingly, given that the beer’s made with “wild flowers, chamomile, coriander, green peppercorn and ginger.” My questions for Mr Campari would be – what wild flowers?

Still, such a nagging query didn’t undermine my enjoyment. In fact, while Giammarco sipped one, taking an age with his aperitivo in true Italian style and mourning the rigid state of Italian culture, I – in true British style – went back inside to ask for another. Hey, it’s only 5%. The bar, which is funky in an easy-going way, was still empty at 7.30pm. Which struck me as strange, especially as the neighbouring pizzerias were filling up with the local bourgeoisie. Maybe Kombeer gets rammed later in the evening. I’ll have to re-visit at some stage. Sheesh, so many beer bars to visit, so many birre artigianale to try.

Oh, and apparently Campari named the brew after the 1970 Bob Dylan song.

Infodump:

Kombeer BirreriArtigianale, Via Alessandria 39, 00198 Roma

Birrificio del Ducato
birrificiodelducato.net (English)

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Seta at Thien Kim and ʼnaBio at Ai Tre Scalini

As much as I love Italian food, sometimes you just want something a little different. A different set of flavours. As Brits, we regularly get cravings for curry. There are a few places in Rome that scratch the itch, but aren’t really anything to write home about. Another craving we’ve had is for Vietnamese food. Having lived in London for many years, we were spoiled by having access to some great Vietnamese places, notably on the Kingsland Road.

Over the past 20 months or so, we’ve walked past a Vietnamese place in Rome several times. It doesn’t have a menu outside, its window is graffitied and overall it doesn’t look prepossessing. But while the summer has arrived, and all the popup bars and restaurants are lining the Tiber, we thought, let’s ignore the evening sun and instead head into the gloom of Thien Kim, which is located on the Centro Storico side of Ponte Sisto, the pedestrian bridge that connects Trastevere.

It was indeed gloomy, and quiet, but the welcome was friendly, and – would you believe it?– they had a few Italian craft beers on the menu. So alongside my food, I had Seta beer. The 5% ABV Seta is from Rurale brewery in Lombardy.

Seta

Seta means silk, and the beer was clearly designed to be a smooth, refreshing summer drink. It’s described as “Wit – blanche” on the Rurale site, that is a Witbier – a Belgian style top-fermented white beer that’s defined in part by the murkiness of the liquid. Seta is no exception, with a cloudy yellow colour and an even, mild body. Although it does contain hops, the hoppiness is negligible, and instead the flavour is defined by the presence of coriander and zest of both bitter and sweet oranges.

Interestingly (for a cereal enthusiast like me), it’s also made with three grains: malted barley, non-malted wheat (grano tenero, that is Triticum aestivum, common wheat), and oat flakes. Me and Fran got notes of ginger, jasmine, lemon. The bottled version I had didn’t have anything much in the way of head, and the body was only subtle fizzy. We’d just come from one of our favourite bars, where  – despite their sign outside saying “Birre artigianale” (artisan beers) – they’d run out of craft beers, so I had a Menabrea amber. It was foul and headachey, so the eminently drinkable Seta was a relief. It also ably lubricated the fair-to-middling food (some crisp courgette flowers stuffed with prawn, a tasty sweet-sour mushroom soup, then a totally over-salted squid main course).

The following day we were in town again and after escaping the heat to watch ‘Man of Steel’ (or “the new Superman film” as non-geeks might not get the “Man of Steel” name) in an air-conditioned cinema, we were wandering Monti thinking about dinner. As it was still fairly early though, we dived into Ai Tre Scalini, a bar and wine cellar “since 1895”. Har. It’s a characterful place though – cool without being affected, friendly without being disingenuous. When we sat down I spotted a picture on the wall of the actors Totò and Aldo Fabrizi in ‘Guardie e ladri’ (‘Cops and robbers’), one of Italian cinema’s great mid-20th century comedies of post-war struggle and social change. Cool, I like that film, thought I – only to notice that there were using the image as a sign warning you about pickpockets. That’s the first time I’ve seen such overt warnings in Rome, and it’s kinda depressing. Like British bars that look quite ordinary and pleasant but have bouncers outside them – indicating the place is rough and used to fights.

After some criminal highjinks in Naples a few weeks ago, we’re a bit nervy about such things now.  So I thrust my wallet deep and checked out the menu. It’s mostly a wine bar (Vino e specialità nostrane – “Wine and homemade/local specialities”) but they did have beers from ʼna Biretta, the brand of Birradamare brewery just outside Rome. You can’t really find a more local craft beer in Rome than ʼna Biretta. Indeed, he very brand name is Romanesco – with ʼna just being the typically truncated dialect for una, “one” or “a”. As in “Givvus a beer!”

'naBio

I’ve had a lot of ʼna Biretta but never tried their ʼnaBio, so ordered one. Although the beer is apparently ispirata alle lager tedesche (“inspired by German lagers”), it’s not as pissy, thin, sharp and headachey as ubiquitous industrial lagers, indeed it’s got a surprising body. In fact, BeerAdvocate classifies its style as Munich Helles Lager, that is a more malty, fuller bodied type of lager developed in Germany in the late 19th century to counter the inroads of Czech pilsners. Birradelmare don’t classify it as such, just calling it a lager, but it seems a reasonable assessment. Sort of. Because as well as being bio, that is “organic”, ʼnaBio, like the Seta above, also involves interesting use of grain.

Ratebeer classifies its style as Speciality Grain. In this case, the grain is farro, though in Italian that word is used for three different types of ancient wheat. A quick bit of detective work  Googling indicates that the organic farro used in the beer is from Monteleone di Spoleto in Perugia province, Umbria, and that they specifically cultivate Triticum dicoccum, or emmer wheat.

The emmer isn’t malted, but is combined in the brew with malted barley. The result is a beer with more body than a typical lager while also being light and refreshing, with a golden-yellow colour, negligible head and dry, crisp flavour, with a slight aroma of cut grass or even silage. My wife said “Brussels sprouts” – which might sound freaky, but she loves Brussels sprouts, so that’s a commendation. It went down very easily, and helped wash down the dry aperitivo snacks: deepfried chickpeas, delicious slightly spiced taralli.

The word that seems to be bandied around a lot for lighter, refreshing beers in Italian is dissetante. In Italian thirst is sete, and the verb to quench the thirst is dissetare. So yes, both Seta and ʼnaBio are definitely dissetante, thirst-quenching.

Infodump:
Thien Kim, Via Giulia 201, Centro Storico, Rome
+39 6 6830 7832

Ai Tre Scalini, Via Panisperna 251, Monti, Rome
+39 6 4890 7495 / aitrescalini.org / aitrescalini@colosseo.org

Birrificio Rurale
birrificiorurale.it / info@birrificiorurale.it

ʼna Biretta/Birradamare
nabiretta.it  / info@nabiretta.it

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